Veronni
Adain was born in the slums of Aiya to one of the poorest families in the
sector. He was a happy baby, and, given his dire circumstances, he remained
carefree and excitable throughout the entirety of his youth. His wide blue eyes
saw something in the world that the people around him could not; he saw beauty.
His
mother scraped together her meager savings to buy him some paper and pencils
for his tenth birthday saying that every little boy should have a chance for
creativity. By giving him that pitiful excuse of an art set, she’d given him
his future.
Veronni
used every inch of those precious pages writing and sketching. He would sit
outside in the dirt and watch the world happen around him, and transpose it to
paper. But his drawings were special; different. The slums of Aiya were drab
and gross and small with too many people packed into too little space. Yet
somehow, the pencil of a ten year old made it worth looking twice at.
He would catch the passing smiles
of children who ran by playing tag in their bare feet and brown clothes, or the
relieved look on a mother’s face when she saw her husband returning from
another successful day at the mill. The people said Veronni possessed some sort
of magic and would pay money just to have his beautiful versions of reality
hanging on their rotten wooden walls.
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